Your Custom Text Here
(With an ear against the ground)
Konsthall Väst på Fjället 22.8 - 6.9 2026
6-channel sound installation, video, paper-maché sculptures
Wikström questions hierarchies between species and forms of expression—between what counts and what is discarded as noise. Listening becomes an ethical act, an acknowledgment that the human being is one voice among others, rather than the orchestra’s conductor. Her art often inhabits these marginal zones, close to the ground and beneath the surface. She creates an understated yet precise staging of coexistence, in which the pace of perception is slowed down while its sensitivity is heightened.
Victoria Engholm for the online art magazine Volym
(With an ear against the ground)
Konsthall Väst på Fjället 22.8 - 6.9 2026
6-channel sound installation, video, paper-maché sculptures
Wikström questions hierarchies between species and forms of expression—between what counts and what is discarded as noise. Listening becomes an ethical act, an acknowledgment that the human being is one voice among others, rather than the orchestra’s conductor. Her art often inhabits these marginal zones, close to the ground and beneath the surface. She creates an understated yet precise staging of coexistence, in which the pace of perception is slowed down while its sensitivity is heightened.
Victoria Engholm for the online art magazine Volym